Scholar. Nepantlera. Poet.

Gloria E. Anzaldúa

1942 – 2004

Photo courtesy and copyright Margaret Randall. Do not replicate or use without her express permission.

Welcome to the official Gloria Evangelina Anzaldúa Website.

Sponsored by the Gloria E. Anzaldúa Literary Trust, this website aspires to offer resources and community for people interested in learning more about Gloria Anzaldúa and her work.

Be sure to check out the altar and, if you feel so moved, leave words or images to connect your vision with Anzaldúa’s. 

“WHY AM I COMPELLED TO WRITE? . . .

Because the world I create in the writing compensates for what the real world does not give me. By writing I put order in the world, give it a handle so I can grasp it.

I write because life does not appease my appetites and hunger. . . . To become more intimate with myself and you. To discover myself, to preserve myself, to make myself, to achieve self-autonomy. To dispell the myths that I am a mad prophet or a poor suffering soul. To convince myself that I am worthy and that what I have to say is not a pile of shit . . .

Finally I write because I’m scared of writing, but I’m more scared of not writing.”

Speaking in Tongues: A Letter to Third World Women Writers

Final Work

Light in the Dark/Luz en lo oscuro: Rewriting Identity, Spirituality, Reality

Light in the Dark represents the culmination of Anzaldúa’s mature thought and the most comprehensive presentation of her philosophy. Focusing on aesthetics, ontology, epistemology, and ethics, Light in the Dark investigates a number of related issues, including the artist-activist’s struggles; imagination as an embodied intellectual faculty which, with careful attention and specific strategies, can effect personal and social transformation; the creative process; and alternative methods of individual/collective identity formation.

Light in the Dark also contains important developments in Anzaldúa’s theories of nepantla and nepantleras, spiritual activism, new tribalism, nos/otras, conocimiento, autohistoria, and autohistoria-teoría, as well as additional insights into her writing practice and her experiences with diabetes. It invites readers to draw new insights and provocative connections between Anzaldúa’s landmark text, Borderlands/La Frontera, and her later writings. Anzaldúa viewed Light in the Dark as both a dissertation and a publishable book; she prioritized it during the last years of her life but passed away before it was published. For a more comprehensive discussion of its history, see Keating’s introduction to the volume.

Enter the world

Discover The work

I write to record what others erase when I speak, to rewrite the stories others have miswritten about me, about you. To become more intimate with myself and you.” 

Speaking in Tongues: A Letter to Third World Women Writers

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About the poet